"Light up your memories with custom handcrafted shades"
"Light up your memories with custom handcrafted shades"
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YOUR BUILD:
Battery Lamp DxH: 5 X 8$70.00
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$49.95
Shade only for a lamp you have
A giclee pigment-ink print on smooth silk cloth is wrapped around wire rings to make a lampshade that will fit on any lamp.
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$54.95
Hanging Lamp with photo shade
This lampshade is made like usual but the spider ring is on the bottom and the shade hangs from the light bulb with a bulb clip that is privided.
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$116.25
Table lamp with photo lampshade
Our hand-made table lamp has a solid oak round base, an antiqued copper pipe riser, and an E26 light socket with switch. This will take any size shade but we recommend a 10-inch width (diameter) and 10-inch high shade.
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$90.25
Lamp built into a photo shade
We start with a photo lampshade with the spider on the bottom, then permanently install a light socket on the spider ring. The lamp has a switch on the cord and a weight on the bottom to keep it stable.
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$70.00
Battery Lamp with photo shade
This lamp with a photo shade is powered by a battery. The shade sits on a table. A charger is provided.
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$12.00
Extra shade print for Battery Lamp
Battery lamps come with one shade. Select this to order more prints that you can exchange on your lamp. Select the same size as your lamp.
Note that prices given depend on other choices such as print medium. [close]
This is a fine art all-cotton archival paper with a vellum surface (lightly textured). We apply an optional waterproof coating that can be matte or gloss.
This is a fine art all-cotton archival paper with a smooth surface. We apply an optional waterproof coating that can be matte or gloss.
This eSatin photo paper shows less reflections and fingerprints than gloss or matalic paper but still has deep blacks and bright colors. It is less expensive than other papers but is less durable. We apply an optional thin lacquer coating.
This paper has a silver tone and very high gloss so photos look like they are printed on metal. The metal look is mainly in the whites and color reduces the affect so this paper is especially well suited to black and white images. We apply an optional thin lacquer coating that reduces the metallic look somewhat but also reduces the visibility of finger prints and allows cleaning with a damp cloth.
Canvas has a coarser texture and is more durable than our paper choices. When photos are printed on canvas you may lose some detail when viewed up close, but when you stand back, the texture provides a wonderful painting-like quality to the photograph. We use Lyve Canvas, an archival cotton/polyester artist canvas made especially for the giclée printing process provided by Breathing Color. We apply a waterproof coating that can be matte or gloss.
Our Photo Silk™ is a thin synthetic fabric with a fine weave and a bright white ink receptive coating. This fabric gives you vivid, sharp prints with brilliant colors. This is a great alternative to Canvas for Gallery wraps and also works well with all of our other mountings except Box mount. We highly recommend this for any of our wrap mountings. We apply a heavy waterproof coating that can be matte or gloss.
Your image will be printed on aluminum plate.
Canvas has a coarser texture and is more durable than our paper choices. When photos are printed on canvas you may lose some detail when viewed up close, but when you stand back, the texture provides a wonderful painting-like quality to the photograph. We use Lyve Canvas, an archival cotton/polyester artist canvas made especially for the giclée printing process provided by Breathing Color. We apply a waterproof coating that can be matte or gloss.
Our Photo Silk™ is a thin synthetic fabric with a fine weave and a bright white ink receptive coating. This fabric gives you vivid, sharp prints with brilliant colors. This is a great alternative to Canvas for Gallery wraps and also works well with all of our other mountings except Box mount. We highly recommend this for any of our wrap mountings. We apply a heavy waterproof coating that can be matte or gloss.
This is a fine art all-cotton archival paper with a vellum surface (lightly textured). We apply an optional waterproof coating that can be matte or gloss.
This is a fine art all-cotton archival paper with a smooth surface. We apply an optional waterproof coating that can be matte or gloss.
This is a fine art all-cotton archival paper with a vellum surface (lightly textured). We apply an optional waterproof coating that can be matte or gloss.
This is a fine art all-cotton archival paper with a smooth surface. We apply an optional waterproof coating that can be matte or gloss.
Canvas has a coarser texture and is more durable than our paper choices. When photos are printed on canvas you may lose some detail when viewed up close, but when you stand back, the texture provides a wonderful painting-like quality to the photograph. We use Lyve Canvas, an archival cotton/polyester artist canvas made especially for the giclée printing process provided by Breathing Color. We apply a waterproof coating that can be matte or gloss.
Our Photo Silk™ is a thin synthetic fabric with a fine weave and a bright white ink receptive coating. This fabric gives you vivid, sharp prints with brilliant colors. This is a great alternative to Canvas for Gallery wraps and also works well with all of our other mountings except Box mount. We highly recommend this for any of our wrap mountings. We apply a heavy waterproof coating that can be matte or gloss.
This eSatin photo paper shows less reflections and fingerprints than gloss or matalic paper but still has deep blacks and bright colors. It is less expensive than other papers but is less durable. We apply an optional thin lacquer coating.
This paper has a silver tone and very high gloss so photos look like they are printed on metal. The metal look is mainly in the whites and color reduces the affect so this paper is especially well suited to black and white images. We apply an optional thin lacquer coating that reduces the metallic look somewhat but also reduces the visibility of finger prints and allows cleaning with a damp cloth.
When you make your own print or purchase a print elsewhere, we can mount it for you. If you have the digital image, it is better if we print on our quality print media. It is possible that your print will not be compatible with our hot dry-mount press or our coatings, so please provide a scrap or let us trim the print for material for us to test. We limit our liability to $100 if we destroy your print while trying to mount it (see our Terms and Conditions), so don't send an expensive original print or one with sentimental value. We can make reproductions of your original art as a safe alternative.
This is a fine art all-cotton archival paper with a vellum surface (lightly textured). We apply an optional waterproof coating that can be matte or gloss.
This is a fine art all-cotton archival paper with a smooth surface. We apply an optional waterproof coating that can be matte or gloss.
Canvas has a coarser texture and is more durable than our paper choices. When photos are printed on canvas you may lose some detail when viewed up close, but when you stand back, the texture provides a wonderful painting-like quality to the photograph. We use Lyve Canvas, an archival cotton/polyester artist canvas made especially for the giclée printing process provided by Breathing Color. We apply a waterproof coating that can be matte or gloss.
Our Photo Silk™ is a thin synthetic fabric with a fine weave and a bright white ink receptive coating. This fabric gives you vivid, sharp prints with brilliant colors. This is a great alternative to Canvas for Gallery wraps and also works well with all of our other mountings except Box mount. We highly recommend this for any of our wrap mountings. We apply a heavy waterproof coating that can be matte or gloss.
This eSatin photo paper shows less reflections and fingerprints than gloss or matalic paper but still has deep blacks and bright colors. It is less expensive than other papers but is less durable. We apply an optional thin lacquer coating.
This paper has a silver tone and very high gloss so photos look like they are printed on metal. The metal look is mainly in the whites and color reduces the affect so this paper is especially well suited to black and white images. We apply an optional thin lacquer coating that reduces the metallic look somewhat but also reduces the visibility of finger prints and allows cleaning with a damp cloth.
When you make your own print or purchase a print elsewhere, we can mount it for you. If you have the digital image, it is better if we print on our quality print media. It is possible that your print will not be compatible with our hot dry-mount press or our coatings, so please provide a scrap or let us trim the print for material for us to test. We limit our liability to $100 if we destroy your print while trying to mount it (see our Terms and Conditions), so don't send an expensive original print or one with sentimental value. We can make reproductions of your original art as a safe alternative.
This is a fine art all-cotton archival paper with a vellum surface (lightly textured). We apply an optional waterproof coating that can be matte or gloss.
This is a fine art all-cotton archival paper with a smooth surface. We apply an optional waterproof coating that can be matte or gloss.
Canvas has a coarser texture and is more durable than our paper choices. When photos are printed on canvas you may lose some detail when viewed up close, but when you stand back, the texture provides a wonderful painting-like quality to the photograph. We use Lyve Canvas, an archival cotton/polyester artist canvas made especially for the giclée printing process provided by Breathing Color. We apply a waterproof coating that can be matte or gloss.
Our Photo Silk™ is a thin synthetic fabric with a fine weave and a bright white ink receptive coating. This fabric gives you vivid, sharp prints with brilliant colors. This is a great alternative to Canvas for Gallery wraps and also works well with all of our other mountings except Box mount. We highly recommend this for any of our wrap mountings. We apply a heavy waterproof coating that can be matte or gloss.
This eSatin photo paper shows less reflections and fingerprints than gloss or matalic paper but still has deep blacks and bright colors. It is less expensive than other papers but is less durable. We apply an optional thin lacquer coating.
This paper has a silver tone and very high gloss so photos look like they are printed on metal. The metal look is mainly in the whites and color reduces the affect so this paper is especially well suited to black and white images. We apply an optional thin lacquer coating that reduces the metallic look somewhat but also reduces the visibility of finger prints and allows cleaning with a damp cloth.
When you make your own print or purchase a print elsewhere, we can mount it for you. If you have the digital image, it is better if we print on our quality print media. It is possible that your print will not be compatible with our hot dry-mount press or our coatings, so please provide a scrap or let us trim the print for material for us to test. We limit our liability to $100 if we destroy your print while trying to mount it (see our Terms and Conditions), so don't send an expensive original print or one with sentimental value. We can make reproductions of your original art as a safe alternative.
SmoothPhotoCloth is the only option for this mounting
Lamp shades typically are made with fabric; for that look we recommend no coating but coating is available for an additional cost. Coating is a good choice if the shade will be in the direct sunlight for a good part of the day or if the shade will be in a dirty environment so it needs cleaning often.
Glamour II is a water-based veneer that is sprayed onto our smooth photo silk before the lamp is made. The matte Glamour II prepares the surface with no reflections and the Gloss shows some reflections/glare but not as much as glass on framed prints. We recommend gloss coating which results in darker blacks and brighter colors with the light off.
You need a bulb with glass going all the way down to the base for even illumination of your shade. You also need the correct color temperature and brightness. We can supply a bulb that works or you can find one at a local store.
If you don't have a harp on your lamp, you can attach our shades to your lamp with a bulb clip with extender that attaches to the spider ring and clips over your lightbulb.
If you have an existing hanging lamp then we provide a bulb clip to attach the new shade. If not then you need a cord and socket to hang your shade from the ceiling. The one we provide is 15 feet long, white, and has a switch 4 feet from the plug end. Hooks for the ceiling are provided.
Our most popular size shade for our table lamp is 10 inches in diameter by 10 inches high. A large floor lamp would look good with a larger diameter and the hight should be large enough to hide the light socket base.
Our most popular size shade is 10 inches in diameter by 10 inches high. Diameters over 16 inches may cause a delay while we order parts.
Our most popular size shade for our hanging lamp is 12 inches in diameter by 10 inches high.
For lamp-in-a-shade used as an accent lamp you may want a diameter under 8 inches to save space on the table or shelf. The height can be more, say 12 inches; any higher than that the top would not be well lit.
Our most popular size is 7 inches in diameter by 12 inches high for which we can supply a tall bulb.
The smallest and most popular size shade for our battery lamp is 5.5 inches in diameter by 8 inches high. All battery lamp shades will have a gloss coating to protect against spills and rain.
You can rent our battery lamps for your event. We charge 1/4 of the purchase price for 1-day event rentals. We ask you to deposit the full price up front. If you want a custom shade which you will keep, please order that separately with the "Extra shade" option above. Contact us for more information.
This product is an extra shade print for your battery lamp. Make sure the size is the same as your lamp.
Choose the width of a white border or 0.00 for borderless. If you want a printed border, choose 0.00 here and describe what you want in the special instructions box.
Be sure to tell us in the special instruction box what you plan to do with your unmounted print so we can check that your ordered what you need.
If you plan to hang your print behind a mat window, you will probably want us to leave a white border around the image.
If you need a print to exactly fit your window or mounting, you should order a little larger (1/8" or 1/4") with a white border to allow bleed space so you can trim to the exact size later.
A white border will help separate your image from the surroundings. You can also request printed borders in the special instructions box. If you want a printed border, leave this value at 0.00 since the border will be included as part of the print. Describe any special border you want in the special instructions box.
Distance print stands out from the wall
?This is the distance the mounted print stands out from the wall. Deeper mountings are better for both looks and strength. See table for minimum recommended depths.
| Longest side in inches | Minimum recommended depth |
|---|---|
| 12 | 1.00 |
| 16 | 1.25 |
| 20 | 1.50 |
| 25 | 1.75 |
| 30 | 2.00 |
Distance print stands out from the wall
?This is the distance the mounted print stands out from the wall. Deeper mountings are better for both looks and strength. See table for minimum recommended depths.
| Longest side in inches | Minimum recommended depth |
|---|---|
| 12 | 1.00 |
| 16 | 1.25 |
| 20 | 1.50 |
| 25 | 1.75 |
| 30 | 2.00 |
Distance print stands out from the wall
?This is the distance the mounted print stands out from the wall. Choose 0.00 if you want no hanging or depth hardware on the back.
Distance print stands out from the wall
?This is the distance the mounted print stands out from the wall. Deeper mountings are better for both looks and strength. See table for minimum recommended depths.
| Longest side in inches | Minimum recommended depth |
|---|---|
| 12 | 1.00 |
| 16 | 1.25 |
| 20 | 1.50 |
| 25 | 1.75 |
| 30 | 2.00 |
This is the distance the mounted print face stands out from the wall.
You do not need to crop (cut off part of your image) to fit our mounts and frames since we print any size up to the maximum above. However, you may want to crop for asthetic reasons, to fit a standard pre-made frame, to fit a space on your wall, or to match prints you already have.
We will be glad to crop the image for you. Please request using the "Special requests" box below. You will be asked to approve our crop before we print.
We will be glad to crop the image for you. Please request using the "Special requests" box below. You will be asked to approve our crop before we print.
Crop to fit Will force a fit to the size selected above ?
Free-form crop Will allow any crop then adjust print size to fit ?
Will remove any crop then adjust print size to fit
If you provided us with images for your lampshade, tell us how you would like them arranged. If a single image is not a panorama, we can leave the back of the shade white or we can repeat the image several times.
We will normally perform image corrections such as red-eye, remove blemishes, remove dust spots, and remove distracting background objects. Let us know if there is a particular edit you want, or if you don't want us to make some or any corrections. Unless you request otherwise, we will always adjust the brightness and contrast to look good on the printer we are using, trying always to show some detail in highlight and shadow areas.
For Box Mount prints the paper surface of the board will show on the sides. Both the black and white are 1/4 inch thick and are acid free so your prints will last a long time.
We recommend 21 Matte Black or 14 German Silver frames which are the only colors we stock. If you want one of the other colors, note that the price will be higher and your order will be delayed by about a week.
We stock these three hardwoods.
The plastic bar can be white, beige, or black. In each case it is matte not glossy and the hole in the end will have a black plug. We recommend white since it looks good with most prints and is more durable since the black is painted onto the original white bars.
The bars can be located on the top and bottom or on the left and right sides. When you make this choice it doesn't matter whether the image orientation is portrait or landscape. However, if the image is very tall or very wide, we recommend placing the bars on the short sides.
As the examples show on the ArtRoll page, the bars can be cut at the edge of the print or they can extend out up to 2 inches.
The hook-loop coins use an adhesive to attach to the wall (warning, this might damage paint when removed).
With the three removable blocks option the print will hang on a nail, and the blocks can be removed for framing or attaching the print flat to the wall.
The hanging wire & strips will allow you to hang on a hook and nail (with this option the print will sit out from the wall about 1 inch on some spacers we attach).
If you plan to set your print into a ready-made frame, we will not provide a hanging wire unless requested in the special instructions box.
With a stand-back you can stand your print on a table.
If you have other ideas, please enter in the special instructions box.
You can see photos of some of these options on the Flat mount page.
For all print media including fine art paper with a heavy coating we can wrap the print around the sides of the foamboard panel. We can also put a foam layer between the print and the board. With the wrap option we can do image wrap or mirror wrap for the sides.
For all print media including fine art paper with a heavy coating we can wrap the print around the sides of the foamboard panel. We can also put a foam layer between the print and the board. With the wrap option we can do image wrap or mirror wrap for the sides.
For reprints you will receive a discount if you enter the original print number here. The print number is hand-written on the back of the print, it is on the Certificate of Authenticity, and it is next to the item number on your receipt. If you do not have the print number, please contact us. You also need to select the correct image from those stored in your account.
If a reprint, enter original print number from the back of the print for a discount. Make sure your image is selected on the image tab, or if it is not there, upload a small version. We will print with your image that we have on file (so you can't get the reprint discount if there are any changes).
Choose how you want the sides of the mounted print to look. Be sure to check out our 8 example options for the sides on the Gallery Wrap Elite page.
For image wrap your image will be cropped as viewed from the front. You may not like this if your main subject is partly on the sides of the print. Also it reduces the resolution for what is left on the front. So usually we recommend a mirror image of the outer part of the image to go on the sides. If mirror wrap puts something you don't want on the sides, we can usually remove it. Another good option is to make the sides black or a solid color -- in this case we can extend the color to the front for a framed-look.
If you think your image does not work well with Gallery wrap or if you don't want to pay for ink and paper on the sides, try our popular Box mount or Floating mount wrap.
We can add a border to the image so it will appear on the print. We offer many different image border treatments at no extra cost. Be sure to enter the width and any other special instructions in the box below.
The image will go right to the edge of the print.
A white border of the width specified.
A white border equal or larger than the width specified.
The Vignette can be black or white (specify in special instructions box below).
The mat can be a solid color or or it can have texture. The color can be taken from the image.
Have an idea? Please request in the box below.
If you want black and white or sepia, it is best to submit to us a full color image since this will give us the most control over the conversion.
We can bring out (saturate) color that you didn't think existed in the image. Please describe what you are looking for in the box below or in an email.
We can ship this print to your client without any of our branding on the inside or outside of the box. The return address on the address label on the box will be yours. If you mail or email to us your packing list or gift card, we will enclose it for you.
This service is not available when shipping to your address, but you can remove any branding information before presenting to a client.
When shipping outside the United States, we are required to provide a Commercial Invoice that must include our company name and phone number, but not our website address.
The free CoA (see example) is an information sheet with data on the print and image, warranty, and care information. Future owners can use it to help authenticate the print. This is a good repository of information about the print and some states require one if you sell the print.
The CoA is printed with pigment ink and, except for small prints, is placed in a plastic pocket on the back.
We provide one copy with all information for you and one for your customer with only the information you select here. More info here.
If you plan to resell, you may not want our brand name on the CoA so owners contact you if there are problems. But note that your state laws may require the printing lab be available to the buyer, and the buyer may find value in knowing that a reputable printer was used. The branding sticker we place on the back of the prints is removable without damaging the print.
Here is an example of the text for the CoA:
Printing lab. This print, mounting, and Certificate of Authenticity were made by Redipix.com in West Lafayette, IN who is responsible for the warranty and can be reached on the internet or by phone. This print was part of order number 3512 that was placed on 02-Aug-2010.
If you number your prints as part of a limited edition, you will want to include this information on your CoA. Enter the print number for this print and total number of prints you plan to have in your edition. If you are ordering more than one print of this image, enter the print number for the first one in this order.
Here is an example of the text for the CoA:
Limited edition. The artist represents that this is number 3 of an edition that is limited to 50 prints. There are no artist proofs and no full-size printer proofs. No other editions are in print. The buyer of this artwork is assured that the artist will adhere to this standard and that the printmaker will act according to the artist's direction.
Data such as exposure time and F-stop will be printed on the CoA if available. Select "No" if you do not want this data printed.
Here is an example of the text for the CoA:
Camera data. This image was captured on 05-Jul-2010 using a Canon EOS 5D Mark II. The iso speed was set to 200, the exposure time was 1/125 s, the aperture was set to f/10.0, the flash did not fire, and the lens focal length was 47 mm.
These will help you or a new owner when it is time to hang the print.
Here is an example of the text for the CoA (will vary depending on mounting style):
Hanging instructions. Hold the picture up to the wall where you want it (usually centered about 60 inches from the floor). Mark the wall in the upper right corner with a tiny pencil dot. On the print, measure down and over to the center of the stretched hanging wire. Measure the same distance on the wall from your little dot. Hang with the nail and hook provided, or better purchase Command Sawtooth Picture Hanger hooks at your drug or homeowner store (these won't damage wall). To keep print from moving, place enclosed glue dots on corners, then press the print to the wall while pulling down on the hanger wire and holding level. Glue dots will probably not damage paint when removed from the wall after a long time.
The CoA is a good place to put extra information such as this for later reference.
Here is an example of the text for the CoA:
Care instructions. Don't touch the print surface with your fingers or a hard object. Start by dusting with a clean dry cotton cloth or clean soft brush. After dusting, wipe the print with a clean damp soft cotton cloth. Don't use soap or a cleaning agent.
If you sell a print without our Redipix.com branding, the owner of the print will have to work through you for warranty repair or replacement. We will continue to honor the warranty if you contact us, but you might want to replace our warranty with your own version for your customer.
Here is an example of the text for the CoA:
Warranty. This print and mounting are made of high quality materials and should last many generations if not displayed in direct sunlight. If the print fades, changes color, shows defects in mounting, or is damaged in shipment, please request a free replacement. If it gets damaged after arrival, we will replace it, charging you only half our current price. We will keep the digital file unless you request otherwise.
A CoA should have copyright information and your signature.
Here is an example of the text for the CoA:
Copyright. The sole copyright of the original artwork is retained by the artist.
Any unauthorized reproduction is in violation of U.S. copyright law. All information and statements
contained herein are true and correct, signed by:
Signature of the creator of the digital image Date
We will print your postal address, email, and phone number that you provide on the Billing information page during checkout. If you want different information here, we suggest not including this and apply your own sticker to the back of the print.
Here is an example of the text for the CoA:
Contact information: John Doe, 123 Easy St, Mytown, IN, 47906, Joe@aol.com, 765-555-3627
We supply a free plastic pocket to hold the CoA (or any document up to a half sheet of paper). We can stick it to the back of the mounted print (except not for unmounted, and small prints). This conveniently keeps the CoA with the print. Note that once stuck, the pocket may damage the back of the mounting board if removed.
Unless you see a notification above, we are currently (29 Mar 2025) shipping less than 1 week after orders are complete and any previews/proofs are approved. Large orders may take longer. During checkout you will have an opportunity to enter a "MUST ARRIVE BY" date. If meeting your request requires additional charges for rush processing and/or expedited delivery, we will let you know before work begins.
We accept credit cards and personal checks. You do not need to pay until we are ready to start printing, but you must check out (with or without payment) for us to see your order and start processing images.
Standard shipping is 1-5 day UPS ground from Indiana (time and cost depends on box size and your location). Choices for expedited shipping are available at checkout. We pack well with padding in an oversize box
Yes, standard edits are included in the price. If you require, for example, restoration, separation of the main subject from the background, or a many-image composite, we will give you a quote for your approval before the work begins...more
If you don't see what you want on this site, please contact us.
We have for new customers, multiple prints, reprints, and pros. Ask us for more information.
We have 100% satisfaction and no-color-fade guarantees...more
Contact us. We will answer the phone weekdays 10-4 eastern time.
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